Taş Tepeler

Karahan Tepe · Structure

Structure AA — the shallow room with animals on the bench

A small room cut into the bedrock in Karahan Tepe's central group, fitted with a bench and steps and carrying carved animals — a spotted snake and a fox beneath the stairs — and, Karul's 2025 report suggests, left unfinished, caught mid-carving.

There are no photographs of Structure AA available at this time. To avoid misleading anyone studying the site, we don’t show stand-in images of other buildings here — the descriptions below follow the excavators’ field reports (Karul 2021; 2025) and the Taş Tepeler research atlas. We’ll add photographs as they are published.

01

Quick facts

Period
Pre-Pottery Neolithic
Setting
central group, with AB, AC and AD
Made by
cutting down into living bedrock
Plan
~8.5 × 7 m (reported)
Fittings
a bench along the west half reached by two steps; an amorphous central pit
Carvings
a spotted snake and a fox cut into the section below the steps
State
a pillar whose carving had only just begun — the room looks unfinished, “under construction” (Karul 2025)

02

What is confirmed

Structure AA is one of the buildings Necmi Karul set out in his account of the structures at Karahan Tepe. It is a comparatively small room — about 8.5 by 7 metres — cut down into the living bedrock in the central cluster alongside Structures AB, AC and AD.

Along the west side runs a bench, reached by two steps, and an amorphous pit sits at the centre of the room. What sets AA apart is its carved animals: a spotted snake and a fox cut into the section below the stairs.

Karul's 2025 report adds a telling detail: the carving of a pillar had only just been begun just south of the central pit — so AA, caught mid-work, appears to have been left unfinished, a room still 'under construction' when the site's rhythm of building moved on. Unlike several of its neighbours, it was not filled and sealed; it was simply never completed.

03

Animals worked into a working room

AA is a useful counterweight to Karahan's grander spaces. It shows the same instinct — to carve living creatures into the fabric of a room — at a smaller, more intimate scale, and because it was caught unfinished it offers a rare glimpse of one of these rooms mid-construction. The snake and fox are among the animals that recur across this Neolithic world, from Göbekli Tepe's pillars to Karahan's own carvings, and here they belong to a room fitted with the plain furniture of use: a bench, steps, and pits.

That combination, everyday fittings and charged imagery in one modest room, is part of what makes Karahan Tepe hard to split neatly into 'sacred' and 'domestic' architecture.

04

What is still uncertain

The dimensions and features above follow Karul's 2021 description, which is solid ground. What remains open is the finer detail a full report would settle: the exact sequence of use and filling, how AA relates in time to the adjacent AB and AD, and what the snake-and-fox pairing meant to the people who cut it. Karahan Tepe has been excavated only since 2019, and much of its central group is still being worked out season by season.

As always, it is worth separating fact from reading: the bench, steps, pits, carved snake and fox, and the barely-begun pillar are reported by the excavator; any account of what the room was for remains interpretation.

05

The carved animals

No archive photograph of the AA snake carving is available yet — Karul (2021) reports it worked along the room's bench.

A snake along the bench

Karul records a snake carved along the bench that runs down one side of the room. The snake is among the animals that recur across this Neolithic world, from Göbekli Tepe's pillars to Karahan's own reliefs.

No archive photograph of the AA fox carving is available yet — Karul (2021) reports it near a niche beneath the steps.

A fox beneath the stairs

A fox is reported beneath the stairs, near a niche — a small charged image tucked into the plain furniture of a working room, and part of what makes Karahan hard to split into ‘sacred’ and ‘domestic.’

06

What was it for?

Charged imagery in a working room

AA carries the same instinct as Karahan's grander spaces — living animals carved into the fabric of a room, the room closed ceremonially — but at an intimate, everyday scale.

What is still open

The exact sequence of use and filling, how AA relates in time to AB and AD, and what the snake-and-fox pairing meant are unresolved. AA is securely described; its story is not yet fully told.

07

Sources

Sources & further reading3 references
  1. Karul, N. (2025). Karahantepe. The Neolithic in Türkiye: Archaeology and Art Publications, Istanbul: 199–238.
  2. Karul, N. (2021). Buried Buildings at Pre-Pottery Neolithic Karahantepe. Türk Arkeoloji ve Etnografya Dergisi 82: 19–29. link
  3. Karul, N. (2025). Public lectures and interviews on Karahantepe and the Taş Tepeler project. Transcribed talks and interviews held in the Taş Tepeler research atlas. Spoken material rather than a peer-reviewed publication; positions may be refined in print.

Full bibliography: the Taş Tepeler reference library →

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Last reviewed 11 October 2026. Something wrong?